Prose and poetry

“Beacons” for The Goat Pol, edited by Niels Bekkema

“On the Beach” for Harun Morrison and FANBOYS at Devonshire Collective

“Preparations” for The Goat Pol, edited by Niels Bekkema

“Toevluchten” translated by Niels Bekkema for Kilo Translations

“Thresholds” for The Goat Pol, edited by Niels Bekkema

“Notes taken during states of alarm” for Odradek Fragments

“The School Reunion” for The Goat Pol, edited by Niels Bekkema

“Dwellings” for The Goat Pol, edited by Niels Bekkema

“Audience report” for Playbill, Moniek Toebosch at Torpedo Theatre

“my private property” in Portside Review Issue 12

“Air of a kind” online at misted.cc

“Four poems” in Stanzas Number 26

“The Aviary” in What do I know (Un)sustainable Practices compiled and edited by Alejandro Cerón at TAC Eindhoven

Lagoon published by Kunstverein publishing

“Frances’s threads” in Amanda, curated by Olga Micińska, published by Maria Editions

“Ten poems” in The Headquarters, curated by Olga Micińska at PuntWG

“My most recent lodger” in Communal, a collaborative fiction project curated by Polly Wright, Brighton CCA, University of Brighton

“The Sick Building Syndrome (SBS)” in Second Coat Redux, duo show with Olga Micińska and Olle Stjerne, Kunstplatform De Apotheek

Reviews

“Drifting beyond enclosure: On Harun Morrison’s Welcome to the Epping Forest”, Nero Editions, 2022

Conferences

“Whose World? Unsettling Property at the Owl House”, Capitalist and Colonial Hauntings of the Rural: Infrastructural Hauntings, 2022

 Academic

“Between the Archive and the Real: Contemporary Digital Art in South Africa”, Third Text 29 (6), 2016: 415-431

“Conflicts between context and content in William Kentridge: Five Themes: A case study of the Melbourne exhibition”, Museum Management and Curatorship 30 (4), 2015: 283-295

Edited compilation

Concerted Efforts, Surpllus: Melbourne